For some time I'd been thinking about developing a mould for an oval pot. In January this
year I had some time on my hands at last and decided that it was time.
The first step
is to make the equivalent of a casting pattern – a dummy of the final pot to be
produced. This starts with a kind of armature over which a veneer of clay is
positioned and then shaped to create the outer surface. Once this is done it is
then a simple matter of building a dam around the pattern and covering it with
plaster. Getting a good seal all ‘round is important.
Here it is just
after the plaster is poured.
And then with
the dam removed and the mould inverted into its normal orientation.
The oval
shape you can see is the base of the armature which served as the template for
the oval shape of the top rim of the pot.
This is the
armature coming out to reveal the clay veneer which formed the wall shape.
Here the clay is
being pulled easily away from the wall of the mould.
Leaving a nice
clean smooth surface for future pot moulding.
The mould inner
dimensions are about 470 x 350 x 115 – remember it will come down by 15% to the
finished fired and glazed pot.
As in slip-casting
the plaster works by pulling moisture from the clay. It accelerates the initial drying and initiates the first of the body shrinkage. This releases the new pot from the mould.
For this to work the mould has to be thoroughly dry before it can be used for
the first time and that will take a couple of weeks.
Next on the
agenda is the rather daunting task of glaze testing – about 100 different
recipes coming up.
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