Here’s the
second glazed pot from Post 5 put into service with a Japanese Box.
The size of the
Australian ceramics market clearly keeps a lid on the number and range of
readymade commercial glaze offerings, particularly for higher fired clays. The
stoneware choice for pots is pretty non-negotiable so I need to do more about
making my own glazes. Watch this space.
I never really
liked the mould pattern I used for my first mould – the one with the sharp
corners. So last year I took to it and filled in those corners and reprofiled
so both the corners and rim flange were nicely curved. That was harder than it
sounds. When you pour fresh plaster on old the old sucks the moisture out of
the plaster very quickly and then the new plaster sets rock hard – very hard to
shape in a tight position.
This is a
completely bone dry example of a pot from the reprofiled mould - much prettier.
As you see also I’m climbing the learning curve and getting better dimensional stability. I usually give them a little light sanding before the bisque firing to
remove little imperfections and soften sharp edges. It’s sometimes easier to do
it this way than when the clay is moist. After bisque firing there is another
chance with the sand paper, when it works a bit like hardwood.
These pots will
finish off at about 370x280x85.
This is another
of the same vintage from mould 2. Again this is starting to look like a
marketable product, much more flat, straight and square. Similar size as the one above.
These pots have now been bisque fired and will now wait unitl I test some home mixed glazes and make a selection for use on the pots.
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