Over the last month I've been working along in the background developing a couple of new models for pots. One of those is a Shohin sized pot and the other is a midsized oval. More on that one later, but for now I have some early shohins to post.
The shohin 'class' is of course bonsai that are normally less than 20 cm and it is a class that many enthusiasts specialise in. Shohin pots and pot selection for shihin bonsai pretty much follow the same conventions that apply to larger bonsai, although there may be a tendency for slightly brighter glazes.
So I was casting about for a design and was reluctant to just make a smaller version of a larger pot. I've always been attracted to neolithic pottery - ie. pre bronze age. There are some fantastic forms and decorative styles in different parts of the world. I borrowed a book from the library about the history of Chinese pottery and come across a circular bowl with a full skirt foot arrangement. It was dated from the 10th to 12th Century BC and a beautiful piece of functional art. I didn't take a picture but did make a sketch. The rim flange had a beautiful curvature from above as well as below, a feature I wanted to capture.
I prefer oval over circular for pots and so after setting on dimensions for an oval adaption refined the proportions of the form of the sketch. It was then the usual path of positive model and casting a mould. The final finished pot length will be about 170 to 175 mm; it's 200mm wet. Being such a small pot the whole process has been quite a bit easier but the mould drying time has been just as long and it's been sitting there for a couple of weeks.
But it's ready to use now and I've turned out the first few pots. These are all still 'hot off the press' and quite wet, as you can see.
This is the first one. Finished with nice smooth surfaces for a good glazed finish. I think I have made a pretty good replica spanning the millenium. The lines are very 'classical', as in the original, and it could just as easily be of Greek origin.
My wife immediately ordered one - no drainage hole, fully glazed, for chocolates at Christmas!
The bottom of the pot is at the level where it necks in. I've been toying with the idea of a central front moongate type opening in the foot ring. It looks ok on photoshop so will no doubt try it out.
This one is formed with surface that looks like it's cracked. A thin matte glaze or even simply a stain with the colour of old burnt terracotta might be good, to more closely replicate the original.
This one has an unfinished coiled surface finish.
And then just for fun a coule of real textured models. This one has a planked surface with small matching feet and the last one is shingled. I'm already planning on an antique bronze finish for the one above.
More news on the other new oval soon.
Welcome to my world of bonsai and ceramics, the perfect mix of art and science. Find me also here: https://www.facebook.com/bonsaifoundations
Wednesday, 28 November 2012
Monday, 26 November 2012
Post 56 Sunny Sunday
It can only be about 8 weeks ago that we threw a few sunflower seeds on the ground in the vege patch, it sure doesn't feel like it was any longer. They germinated in 2 days and were forming the flowers when the were 60cm high. I thought we must have had the minature ones; but they kept on going. At head height some have opened and others just keep on going.
They are SO bright they just put a smile on your face, no wonder Van Gough kept painting them.
The bonsai have been moving fast too. This one is a Celtis that appeared in a root pruning post from back in August, with a final fan of roots about 150mm in diameter. It leapt out of the starting blocks in September and since then it's had an almost full defoliation, recovery and yesterday another very thorough pruning. The fine branch structure is developing really well.
We have a display stand in the family room and there is always a tree in place, with a weekly rotation. I find this a very usefull way to assess what each tree may need to develop the style. You get to look at the tree critically, lots of times in the week when the only thing you have to do with it is to look at it . Having it on its own, at a particular height, without a distracting background almost always leads to some change - branch relative positioning, bulk, space, shape, movement etc etc. The key to creating an illusion is seeing into the illusion we create.
They are SO bright they just put a smile on your face, no wonder Van Gough kept painting them.
The bonsai have been moving fast too. This one is a Celtis that appeared in a root pruning post from back in August, with a final fan of roots about 150mm in diameter. It leapt out of the starting blocks in September and since then it's had an almost full defoliation, recovery and yesterday another very thorough pruning. The fine branch structure is developing really well.
We have a display stand in the family room and there is always a tree in place, with a weekly rotation. I find this a very usefull way to assess what each tree may need to develop the style. You get to look at the tree critically, lots of times in the week when the only thing you have to do with it is to look at it . Having it on its own, at a particular height, without a distracting background almost always leads to some change - branch relative positioning, bulk, space, shape, movement etc etc. The key to creating an illusion is seeing into the illusion we create.
Friday, 23 November 2012
Post 55 Pot Sales Launch
It is my pleasure to list 8 pots for sale on the Pot Sales page; for your consideration.
As a launch special the price of the first four pots purchased will be discounted 10% from the prices listed.
There are full details of each pot offered as well and payment and delivery arrangements on the page. If there are any clarifications needed or further questions I'm happy to correspond by email.
Happy Potter
As a launch special the price of the first four pots purchased will be discounted 10% from the prices listed.
There are full details of each pot offered as well and payment and delivery arrangements on the page. If there are any clarifications needed or further questions I'm happy to correspond by email.
Happy Potter
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